In the fall of 2019 I received an email from the poet and critic Cathy Park Hong telling me she had written an essay collection, Minor Feelings: An Asian American Reckoning. She asked me to read it and consider it for a blurb. I receive roughly three or four requests like this on most weeks, sometimes as many as three or four a day, but I am a fan of Hong’s, and I remembered her indelible 2014 essay on whiteness and the avant-garde in poetry. If a collection from her meant more of that, I knew I wanted to see…
I’ve had the feeling of following the film Minari around for a few months now since the first time I saw the trailer last year. I guessed Lee Isaac Chung’s Minari would be different to me from just about any other film I’d seen from how, even those two minutes, evoked my own memories in a way I wasn’t used to. I laughed with recognition while reading Jay Caspian Kang’s New York Times Magazine profile of Steven Yeun, one of the film’s stars, when he describes this feeling:
When the trailer for Minari appeared online this past fall, I texted…
I have a story in Kink, a new anthology that came out last week edited by R. O. Kwon and Garth Greenwell, two writers I love and admire enormously. Kwon’s moving story of the genesis of the anthology is worth your time. My story’s title, “Best Friendster Date Ever,” one of my favorite titles, suggests what is easy to confirm: the story is not new, and in fact, this is the third anthology this story has been in. And in that is a story.
The first anthology was Best Gay Erotica 2006, edited by Mattilda Bernstein Sycamore and Richard Labonte…
Last month, as the winter began, I was hoping to escape but there was nowhere to go: the surge of cases due to holiday travel had filled the hospitals across the country, and the weather was cold, which made socializing into cold walks with friends where we wore masks and yelled to each other from across the street. Indoors, I tracked the bad-faith contesting of the election by conservatives, the attempt to overturn the results in the courts and in state legislatures, and the botched vaccine roll-out by the Trump administration, all of it seeming to culminate in the assault…
I have a new essay at the New Republic, a review of the new novels by Don DeLillo and Jonathan Lethem. I wrote about how their novels seem to describe different parts of the same apocalypse — the DeLillo describing the day it happened, and the Lethem telling a story from years later, in the aftermath — and so I wrote about them together and thought through the implications of that, and how while these novels might not warn us about the future, they might still tell us something about our present. Here is an excerpt:
In my speculative fiction…
1/9/2021 Chelsea, VT
Too often, dates at the start of chapters in fiction do less than the author imagines. The reader does not remember them until it is too late, and meanwhile the author believes someone is following along, and so does less than they should to convey context, story, meaning.
Anyway. Today is January 9th, 2021. It is 1AM.
I have been up late looking at old photos in my computer to cheer me up. I took the below when I was traveling across the South Island of New Zealand for 9 days before the Auckland Writers’ Festival, using…
“I’m sorry, I can’t read anything right now, but have fun with it!”
— Unsent tweet from my draft’s file, with no available context, back in March.
I woke up the other day to the sound of a doorbell. My husband was still asleep. I got up and went to the door and no one was outside. “Did you hear a doorbell,” I asked him, later, when he woke up. “We don’t have one,” he said. “We have a knocker.” There hadn’t been anyone at the door for so long, I didn’t remember this. …
What is often lost in talk of craft in writing is the exploration of sentiment, and as a result what is almost never discussed is how sentiment is described or even conjured, so this is a good question for aiming at that topic directly. So much advice about writing acts as if the emotional states in a piece of writing are already figured out and they just need to be described for the reader. …
It is MFA application season, and I’ve received a number of variations on this question from students to which I have a single answer, and so I’ve decided to offer that answer here.
I typically do not answer as to their readiness with a single yes or no — I don’t want to be that powerful in such an important situation. They need to feel ready, and so I instead guide them on how to prepare. I extend the following caveat: do not let the application process be a referendum on your future as a writer. And then I offer…
I deal with writers’ block several times a year, usually in the form of other people’s writers’ block. Specifically, I find myself every year with a few students trying and failing to write their stories for class. Teaching creative writing inside of a liberal arts institution means putting creativity on a clock — the quarter or semester — and over the 25 years I’ve been teaching writing, I’ve learned my blocked students are usually high-achieving young people who are used to being able to power their way through a paper, get the answers, get the grade and move on. …
Author of the novels THE QUEEN OF THE NIGHT and EDINBURGH, and the essay collection HOW TO WRITE AN AUTOBIOGRAPHICAL NOVEL.