Your Questions Answered

“How do you access emotional states that are different from the one you are currently experiencing when you are writing?”

The first spell you cast as a writer, you cast on yourself.

What is often lost in talk of craft in writing is the exploration of sentiment, and as a result what is almost never discussed is how sentiment is described or even conjured, so this is a good question for aiming at that topic directly. So much advice about writing acts as if the emotional states in a piece of writing are already figured out and they just need to be described for the reader. But in my experience, they are not figured out in advance, at all, and if anything, part of why I write is to discover what I feel about what I’m writing about — and then, to discover more than that.

The first spell you cast as a writer, you cast on yourself, and you do it so as to then be able to cast it on the reader. It is not enough to describe what you felt, or what you imagine the character to feel, though — but if you decribe what you remember of what you felt across your senses, then you can evoke those feelings in yourself, and eventually, approach describing those conditions on the page. To this end, most writers would benefit from taking an acting class, or…